Of all the filmmakers in Hollywood
today, few names carry as much respect and credibility as Steven Spielberg. In a fifty three year-long carrier, the man
has made many beloved classics and masterpieces such as Jaws, The Indiana Jones
films, E.T., Schindler’s List, Saving
Private Ryan, has been a producer or a direct influence in over a hundred
other projects, founded DreamWorks Pictures and is one of the few directors
from the New Hollywood Era who has managed stay relevant, fresh and able to
adapt and change with time. While some
people argue that his best days are behind him, films like Munich, The Adventures of
Tintin and War Horse still prove
that the man hasn’t run out of steam even if they are a far cry from what he
did in the 70s and 80s. But today we’re
here to talk about his most recent film,
Lincoln.
Taking place during the final months
of the Civil War, the film revolves around Abe Lincoln as he tries to get the
13th Amendment passed that will end slavery in the United States,
showing all of the backdoor deals that had to be made in order to get the
amendment passed as well as showing the personal grief he and his family went
through during this time. And because I
am making a point to see as many films as I can this year, (and sense nothing came
out that weekend other than Twilight),
I decided to take a look at Spielberg’s latest film. This is my review of Lincoln.
Now, as you might expect, the acting
in this movie is fantastic. The most
notable and the guy who steals the show is Daniel Day-Lewis as Lincoln and talk
about a perfect casting choice.
Everything about this guy just said that he is Abraham Lincoln from his body structure, to the way he walked,
to his hair style, the wrinkles on his face, to his voice and his monologs and
frequent storytelling. And this probably
won’t be a surprise to anyone, but I think we have our Best Actor Winner of the
year. One thing that I have noticed
lately is that many historical themed films and videogames are showing revered
people in a more human light and this film is no exception to this. It shows him as a fallible human being and
how much a negative effect his presidency has had on his personal life, particularly
with his eldest son and wife.
While this movie obviously belongs
to Daniel Day-Lewis, all of the other actors do great work in their roles as
well. Tommy Lee Jones was perfect as the
Radical Republican leader Thaddeus Stevens and steals any scene he is in and
Sally Field was great as Lincoln’s wife who has been the most effected by the
personal burdens of being a family member of a president. Many of the other cast members are great in
their roles such as David Strathairn, James Spader, Hal Holbrook, Jackie Earle
Haley, and Bruce McGill but are ultimately limited by their screen time to do
as much as they could.
One thing that might surprise you is
that the story is very good. The problem
with most Oscar Bait-type films like The
King’s Speech, The Master, or Tinker Taylor Soldier Spy is that their narratives
are not very compelling and often come off as being bland and dry. This film however is the exception to that
rule. Within the film we get a really
good look at all of the politics and backdoor deals that went into getting the
amendment passed and it’s probably the only film that I can think of that shows
how difficult the games of politicians can be, especially when dealing with big
issues such as this.
But
what really shocked me was just how funny this movie was. Unlike most Oscar Bait, the film had a very
good sense of humor integrated throughout its runtime. Often Lincoln will start telling stories to
various people almost at random and the stories themselves are either hilarious
or his audiences reaction to them is.
One that really stood out to me was the story of the bird who was
predicting the end of the world and the tone of that joke is more or less the
tone of the humor throughout the film.
The rest of the comedy came from situations that really felt natural and
unscripted. Unlike the humor in a lot of
modern films a lot of the jokes in this film actually felt like they could
happen, such as the situations James Spader and his band of backdoor dealers
get into while trying to get the votes for the 13th Amendment or
some of the reactions to Lincoln’s stories.
It’s very well done, funny, and puts it a step above most Oscar Bait and
could not have been happier about this.
Now
I usually don’t gawk over set designs or where or how films are shot, but dear
god is this film well done in those regards.
Everything in this film from the set designs, to the costumes, to the
fact that Lincoln often carries a blanket around with him to stave off the cold
makes it seem like it legitimately takes place in 1865, (although I have to
admit the fact that I’ve been to several of the places the film was shot in
Richmond did take me out of the mood a bit).
Adding to this effect was the lighting as everything seemed like it was
shot with only sunlight, candle light, and fireplaces light.
There
are, however, a few things that annoyed me about the film. For starters, Day-Lewis had a few to many
monologs and they can and will ware on you after a while and it almost makes it
seems like the writers felt that it was their job to make sure he won an Oscar
as opposed to letting his performance carry it.
The second thing, and it breaks my heart to say this, was John Williams’
score. The man has been responsible for
some of the greatest and most memorable scores in film history such as the
music for Indiana Jones, Jaws, Star Wars, Superman and a
ton of others and holds the record for the most number of Oscar nominations in
history and has won five. This score,
however, sounds like the exact same thing that he has been composing for the
last fifteen years and it’s not particularly well used. Whenever the music comes up it usually sounds
manipulative, like the filmmakers are trying to tell you what to feel as
opposed to letting the feeling come naturally.
Often I found myself thinking that certain scenes would have been better
if they had been completely silent or actually had a score that complimented
what was on screen. And again, it breaks
my heart to say this but I’m starting to think that John Williams may need to
retire.
All
around, despite the monologues and manipulative score, I really enjoyed this
film and to be perfectly honest, I think it may be my favorite of the year. I loved the acting, the dialog, the story,
the humor and the way it was shot and put together. If you’re a history buff like me then I
recommend that you go and see it because it is worth your time and money and
considering all the other stuff that has been coming out over the past few
weeks this one is much more deserving of them.
All
Around
9.25/10
9.25/10
Still harping on John Williams eh? Just had to grasp at straws for something to whine about?
ReplyDeleteBut yeah good movie, and I've been saying for months that Speilberg made this to get a shot at the trifecta. Having seen the movie, he damn well may get it.
On John Williams I honestly did not like his score. It's hard to put into words but if I were watching it I could pick it apart and tell you why.
DeleteAnd as of right now I'm kind of hoping he does get it. Certainly deserves it more then The Master.
You're a big minority on this one - many, myself included, say it's his best score in years.
DeleteI think Lincoln has the trifecta in the bag. Rumor has it Skyfall my be nominated for a few awards too, and I'm talking major awards, not peanuts. Now wouldn't that be something?
.....
DeleteMajor confusion on that first note. I feel as if I have but on the sun glasses and see that aliens have taken over the world.
On the second note, I'm to distracted by the aliens to take any notice...